A not-so-new movie that I think I’d like to watch was recently reviewed in Commentary by Jonathan Tobin. Some excerpts:
Those who view his films as compendiums of distorted propaganda may rightly despise Michael Moore, but there’s no denying that his work re-popularized the documentary as an independent art form while effectively promoting his views.
In “U.N. Me,” Ami Horowitz and Matthew Grof […] takes [the] audience on an international tour intended to show that the United Nations is a corrupt talking shop that has made a mockery of the ideals that it was created to promote. As “U.N. Me” makes clear, the world body has criminal peacekeepers who fail to protect the innocent, purposely-blind nuclear inspectors, thieves in charge of food programs, and has a Human Rights Council that is a forum for tyrants and murderers.
This may be familiar territory for readers of COMMENTARY, but if the intended audience is the crowd who enjoys the politically skewed humor of [Michael] Moore and [Morgan] Spurlock’s movies, a great many eyes will be opened. Judging their effort by the standard set by those two, “U.N. Me” must be considered a resounding success. The film combines a low-key sense of righteous indignation at the outrageous behavior it uncovers with humor and paints its subjects as hypocrites and scoundrels.
To get past the prejudices of filmgoers predisposed to dismiss criticism of the U.N., Horowitz concentrates his fire on the causes that most appeal to liberal sensibilities, such as the genocide in Darfur. That means the number one object of U.N. perfidy — the state of Israel — is conspicuous by its absence in the film. Though so much of what is wrong about the U.N. is illustrated by the widespread anti-Semitism given a hearing in its halls and the double standard by which the democratic State of Israel is subjected to most of the resolutions adopted by the institution, the Jewish state is mentioned only in passing throughout “U.N. Me.”
The direct failure of the U.N. to do anything to stop the genocide in Rwanda though it had the forces on the spot and the intelligence to do so is a heartbreaking story, and here, Horowitz goes easy on the humor. But he makes up for that with his exploration of the U.N.’s failures to deal with genocide in the Darfur region of Sudan during which a Sudanese diplomat asserts that “climate change” is the reason so many were massacred by his government, prompting Horowitz to suggest that more Priuses is the answer to the problem.
The film also goes into great depth to describe the way ordinary corruption is part of business as usual at the U.N.. The “oil for food” scandal in which Saddam Hussein skimmed more than $10 billion from the world body in exchange for millions in bribes to U.N. officials is a central part of the story. At its core is the role of former U.N. Secretary General Kofi Annan, demonstrating that this scheme was ordinary practice and not an exception.
And though the documentary doesn’t go into the bizarre way the United Nations Relief Works Agency (UNRWA) has helped perpetuate the plight of the Palestinians (the U.N. has one agency for all other refugees and one devoted to the Palestinians), it is shown as employing terrorists in Gaza and allowing their ambulances to be used as getaway vehicles.
Horowitz and Groff have produced a documentary that may at times be a little too jocose for its serious subject matter, but is nevertheless always watchable and infused with genuine wit. It remains to be seen whether their praiseworthy effort to tell this important story will get the exposure it deserves, but anyone who takes the time to watch “U.N. Me” cannot help but walk away sharing the filmmaker’s frustration and disgust with the U.N.
Take a look at the trailer